中國文化博大精深，其中茶文化占據(jù)重要一席。說到茶就要提到壺，茶和壺是緊密聯(lián)系不可分割的。好馬配好鞍，好茶配好壺。喝茶賞壺是歷朝歷代士大夫和文人墨客所喜歡的高雅活動。“萬丈紅塵三杯酒，千古大業(yè)一壺茶”。宜興紫砂陶器在國際間聞名以來，將近有五百年的歷史。紫砂陶在浩瀚的中華文物史上有著瑰麗的地位，人們稱為高超的藝術(shù)品。在明清兩代，地處江南人文薈萃之地的宜興，所生產(chǎn)的紫砂器，更充滿著豐富的文化氣質(zhì)。其所以成為名陶，實由于具有良好的實用性與獨特的藝術(shù)性兩大原因。

Extensive and profound Chinese culture, tea culture occupies an important seat. Said to will mentioned pot of tea, tea and pot is closely linked indivisible. A good horse matchs good saddle, good tea with good pot. Tea to watch pot is literary intelligentsia who lived in ages past and decorous letters like activities. 'The world of mortals three glasses of wine, historic great undertaking a pot of tea'. Yixing purple sand pottery in the international famous, nearly five hundred years of history. Violet sand earthenware in the middle of a vast has a magnificent place in the history of the Chinese cultural relic, known as superb works of art. In Ming and qing dynasties, is located in yixing jiangnan land of humanities ceremony, the production of purple pottery, more full of rich cultural temperament. Its so be contented, real because it has good practicability and unique artistic two reasons.

中國工藝美術(shù)大師汪寅仙，以超凡的境界，卓越的藝術(shù)成就，早已馳名遐邇，譽貫中西。作為大師級民間文化杰出傳承人，肩擔天降之大任，紫砂花器大作似立體的畫、有形的詩而意境深遠，耐人尋味，以文心雕龍，達天成之道，在陶藝界旗幟飄揚，獨領(lǐng)風騷。她與張守智先生合作的“曲壺”，用辯證思維和夢幻般的想象力，“曲則全，枉則直”的理念，簡約虛實的立意，氣勢如虹的架構(gòu)，創(chuàng)作了無愧當代陶藝重器經(jīng)典，一把壺震撼了一個時代。

Wang Yinxian of arts and crafts master of China, with extraordinary realm, outstanding artistic achievement, has long been famous for its penetration of Chinese and western. As a prominent master of folk cultural heritage, shoulders to the ears of heaven, purple flower implement work like a three-dimensional paintings, tangible poetry artistic conception far-reaching, afford for thought, by carving dragon, tiancheng road, in the ceramic art world flags, clueless. Her cooperation with Mr Zhang Shouzhi 'pot', using dialectical thinking and fantastic imagination, ', baying piece is straight 'concept, the conception of contracted nakedness, majestic architecture, created a clear conscience of contemporary ceramic art jack classic, a pot of a shock.

此銀制貼花喜鵲登梅提樑紫砂壺正是出自汪女士之手，整個壺由各種不同方向和曲度的曲線組成。無論從線條還是造型都無不顯示出一種珠圓玉潤、骨肉亭勻、比例協(xié)調(diào)、敦龐周正、轉(zhuǎn)折圓潤、雋永耐看的美感。完美詮釋紫砂壺的“圓、穩(wěn)、勻、正”的造型規(guī)則?？?、蓋、的、嘴、把、肩、腰的配置比例協(xié)調(diào)和諧，勻稱流暢，達到無懈可擊，真可謂是：“柔中寓剛，圓中有變，厚而不重，穩(wěn)而不笨，有骨有肉，骨肉亭勻”，極具鑒賞和審美價值，升值空間巨大。

The silver decals magpie on mei girder are recommended by Ms. Wang, the whole pot is made up of different direction and curvature of curve. No matter from the line or modelling, all without exception shows a kind of elegant and polished, flesh TingYun, proportion coordination, able to bear or endure look, jean-marie le pen that week, turning round, meaningful sense of beauty. Perfect interpretation of the recommended 'round, steady, uniform, is' the modelling rules. Mouth, cover, and the mouth, the proportion of configuration, shoulder, waist, coordinated and harmonious, well-balanced smooth, achieve seamless, true is: 'change in the softness in the soft, round, thick and not heavy, and stupid, not have flesh and bones, flesh TingYun', appreciation and aesthetic value, great appreciation of space.

蔣蓉曾經(jīng)說過：“壺是人做的，壺與人又有不少相似之處，用心觀察，你會發(fā)現(xiàn)同樣造型的壺，不同人做，就會產(chǎn)生不同的韻味，有高雅、粗俗之分，有霸道、儒雅之別。做壺是做藝，做藝如做人，需要全身心的投入，要認真做人，認真做藝，不要把造型、工藝勉強帶得過的作品給人，這樣對收藏者是極不負責的，同時也是對自己的不負責。不要看今天帶得過去，隨著時間的推移，后人會評價這把壺，也會評價做壺人的藝品。藝術(shù)上對別人負責，實際上是對自己的負責。”