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作者：xiexie_blog 蕭朗先生在長期花鳥畫教學中，所掌握的花鳥畫教學方法應有盡有。無論是白描、工筆、大寫意、小寫意或半工半寫，他都能駕輕馭熟。但蕭老用功最勤的還是其小寫意畫法。蕭先生小寫意畫法的基本要領是突出一個“寫”字，其每一筆都如寫毛筆字那樣充滿了書法的神韻。其細部刻畫多用“中鋒”，揮寫軀體和毛羽時多用側鋒、偏鋒，但都能筆筆有力，瀟灑自如而含蓄有致。此外，蕭先生擅于“彩墨互用”和“彩墨合用”。他有時以墨為彩，有時以彩為墨，也有時彩墨混用，完全按實際的藝術表現(xiàn)需要酌定。這是蕭老技法表現(xiàn)的靈活之處，也是其技法高人一籌的地方。
來源：名藝觀韻 |
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